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After the WW II, one of the most notable film actors was Polde Bibič, who played a number of roles in many films that were well received in Slovenia, including Don't Cry, Peter (1964), On Wings of Paper (1968), Kekec's Tricks (1968), Flowers in Autumn (1973), The Widowhood of Karolina Žašler (1976), Heritage (1986), Primož Trubar (1985), and My Dad, The Socialist Kulak (1987). Contemporary film directors Filip Robar - Dorin, Jan Cvitkovič, Damjan Kozole, Janez Lapajne, Marko Okorn, and Marko Naberšnik are among the representatives of the so-called "Renaissance of Slovenian cinema". Poetry in Slovene language achieved its highest level with the Romantic poet France Prešeren (1800–1849).

Slovene screenwriters, who are not film directors, include Saša Vuga and Miha Mazzini. In the 20th century, the Slovene literary fiction went through several periods: the beginning of the century was marked by the authors of the Slovene Modernism, with the most influential Slovene writer and playwright, Ivan Cankar; it was then followed by expressionism (Srečko Kosovel), avantgardism (Anton Podbevšek, Ferdo Delak) and social realism (Ciril Kosmač, Prežihov Voranc) before World War II, the poetry of resistance and revolution (Karel Destovnik Kajuh, Matej Bor) during the war, and intimism (Poems of the Four, 1953), post-war modernism (Edvard Kocbek), and existentialism (Dane Zajc) after the war.